RESUME

RYAN SAK

Los Angeles, California
Phone: 702-575-2375
Email: ryan@ryanmsak.com
Website: ryanmsak.com
IMDb: imdb.com/name/nm5171843
Reel: https://vimeo.com/1113035544

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PROFESSIONAL SUMMARY

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Senior Re-Recording Mixer and Post Production Supervisor with over 18 years of experience in broadcast audio, live television, sports entertainment, documentaries, and digital media. Sports Emmy–nominated audio professional with extensive expertise in live broadcast mixing, post-production workflows, multilingual audio delivery, Dolby Atmos, and Pro Tools. Proven leader in audio post-production operations, technical compliance, and high-pressure live event environments.

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CORE SKILLS AND KEYWORDS

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Re-Recording Mixer

Supervising Sound Editor

Post Production Supervisor

Broadcast Audio Mixing

Live Event Audio Live Television Broadcasts
Sports Broadcast Audio

Pro Tools Mixing & Mastering

5.1 Surround Mixing

Dolby Atmos Mixing

Sound Design and Foley

ISDN

Voice Over Recording

ADR Recording

Dialogue Editing

Source Connect

Project Management

Multilingual Audio Delivery

Cue Reporting

Broadcast Standards and Compliance

Audio Post Production

On-Site Audio Operations
Multitrack Recording

Budgeting and Scheduling

Team Leadership

Music Compliance

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PROFESSIONAL EXPERIENCE

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KILL THE MESSENGER AUDIO POST – Santa Monica, CA

Re-Recording Mixer (2007–2015)
Senior Re-Recording Mixer (2016–Present)
Post Production Supervisor (2018–Present)

• Lead re-recording mixer for live television broadcasts, network programming, commercials, promotional content, and digital media.

• Deliver broadcast-ready audio in compliance with network, cable, and streaming platform specifications.

• Supervise post-production audio workflows including budgeting, scheduling, staffing, and final delivery.

• Collaborate with directors, producers, editors, and advertising agencies to meet creative and technical requirements.

• Manage multiple projects simultaneously while maintaining quality, consistency, and deadlines.

• Principal member of Kill The Messenger Audio Post.

• Member of the Academy of Television Arts and Sciences (ATAS), elected 2023.

 

ULTIMATE FIGHTING CHAMPIONSHIP (UFC) – Contractor

Supervising Sound Editor / Re-Recording Mixer (2009–2025)

• Sports Emmy Nominee for audio mixing on Noche UFC at The Sphere.

• Led all aspects of audio production for live UFC events and recorded programming across television, web, and international platforms.

• Performed live broadcast mixing, recording, remastering, and final delivery for global distribution.

• Managed on-site audio operations including system setup, live mixing, and multitrack recording for televised events.

• Delivered multilingual audio content for international markets.

• Managed voice-over talent including booking, recording, editing, and mixing for show opens, narrations, and promotional content.

• Collaborated weekly with producers and production teams to enhance audio quality and broadcast performance.

 

POWER SLAP – Contractor

Supervising Sound Editor (2023–Present)

• Mix and deliver audio for live broadcast events and in-house productions across multiple platforms.

• Remaster final mixes and stems for international distribution and content repurposing.

• Support multilingual audio delivery for global audiences.

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GOLF CHANNEL / NBC UNIVERSAL – Contractor

Re-Recording Mixer (2021–Present)

• Sound designed, mixed, and delivered long-form documentary programming for broadcast television.

• Produced audio content focused on LPGA U.S. Open Championship winners and golf industry storytelling.

• Ensured compliance with NBC Universal broadcast audio standards.

 

VICE MEDIA – Contractor

Re-Recording Mixer (2016–2018)

• Delivered post-production audio services supporting the launch of Viceland Network.

• Mixed and delivered audio for fast-turnaround content produced in collaboration with Live Nation.

• Supported broadcast and digital delivery requirements.

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RED BULL MEDIA – Contractor

Re-Recording Mixer (2017)

• Provided audio post-production services supporting the launch of Red Bull’s streaming platform.

• Delivered audio mixes compliant with multiple international broadcast standards.

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EDUCATION

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The Art Institute of Las Vegas

Audio Production

2004–2008

 

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